Monday, May 27, 2013

ARReSTeD DeVeLOPMeNT - SeASON 4!!!

Can we take a moment just to thank Netflix for putting back the Bluth family? Not only were we given 15 episodes when initially told 10, but the entire original cast returned as well. There were no streaming problems (I think everyone expected Netflix to crash) and the episodes went online exactly at 2:01 AM. Let's give Netflix a big hand!

Just a warning, there are SPOILERS ahead. Nothing huge or anything, but I would definitely recommend that you watch the entirety fo Season 4 before reading this. So let's get on with the review, shall we?



Season 4 is structured differently than the original series. Instead of a single timeline that will occasionally jump back and forth like the original series, this takes place over several years in each character's life. The earliest the show goes back to is the aftermath of the season 3 finale. After that, the series jumps through whats been going on with the Bluth's for the past 6 years or so.
This is where the series runs into the only major problem: STRUCTURE. The new structure jumps around several different timelines, one for each character. At certain junctures, the timelines converge and characters have time to catch up with each other. There are maybe four or five key events in which all or most characters are present and have some sort of important revelation or event happen to them. Sometimes they don't even run into each other, they're just there. I found myself kind of confused by the constant time jumping in each episode. Maybe it's only because I've seen the new season only once (as opposed to six times for the original series) but I was definitely lost on more than one occasion. Not lost in terms of where they are, just when all of this stuff happens. Maybe another marathon will help fix that.
Because each character gets his or her own episode to recap their lives, there is just simply less character interaction amongst the Bluths. Sure, Maeby and George-Michael share a lot of screen time together in their episodes, but some characters like Buster just goes almost completely missing until his episode comes around. Michael is the only character in every episode, then again, he's kind of the main character.
The only major story element that goes through everyone's timelines is the construction of a wall in between Mexico and California. It all becomes very business oriented and just less funny. George Sr and Michael have this problem with their episodes, being business oriented. Some of the ideas are good, but they just are not as comedic as they should be. The idea of the wall gives Lucille and George Sr some good scheming to do and Oscar has some funny stuff, but he seems almost overused at times. I found that the best episodes had less of this. Gob, Maeby, Buster, and George-Michael had some of the best material because there was no wall story.
What's actually really impressive about the structure is how complex and deep these new episodes are. It's a beautifully woven web of stories and character interactions through several of the same events. This actually is really impressive on the writer's part, even if it isn't quite what I was looking for in a new series. I still would rather have a single timeline of events instead of several long recaps.
The only other major problems I have is just small nitpicks. The Banana Stand just disappears without a trace, there is no mention of Maggie Lizer's pregnancy, Lindsay explains to Tobias that everyone thinks he's gay because of the way he talks, and why the hell does Buster have barely any material outside of his own episode?! Come on!

So now that I'm done complaining, what does this series do right? Holy shit, SO MUCH!
The new series brings back tons of great old jokes as well as several new ones. New jokes consist of ostriches, facial blindness, Sound of Silence by Simon and Garfunkel, mongol hoards, Ron Howard as himself, and a Fantastic Four musical. Wild shit, right?
I loved the return (and original casting) of minor characters. One of the biggest surprises was the return of Egg, who planted some great material with Gob. Tony Wonder makes a big return, playing a very significant role in Gob's story. Oscar comes back in a big way for both George Sr. and Lucille. Carl Weathers and even Warden Gentiles make small but funny comebacks as well. Bob Loblaw and his Law Blog make a tiny appearance, and so does everyone's favorite lawyer Barry Zuckercorn! Even Lucille Austero (AKA Lucille 2) also plays an important role in just about everyone's story.
Another thing that I love is that some of the characters actually change over the course of the season, something that the original series never had. Maeby and George-Michael have some great material together and watching them grow up (especially George-Michael) is simply wonderful.
The best thing that the new season does is set us up for more. There are a few unanswered questions, and the ending before the credits on the last episode leave a LOT of tension that has to be solved eventually... so can we get a movie now? Or a season 5? PLEASE?!

Also, its a REALLY GOOD IDEA to stick around after the credits of the 15th episode.

Overall, I think that while Season 4 is hilarious and amazing, it isn't quite as good as the original series. It serves as a great sequel and promises some great things to come... let's just hope that it delivers on those promises. I want to see the end of the Bluth family saga end on a single solid note this time. Even the ending of Season 3 left me satisfied. This only leaves me wanting more, which I guess is a good thing. The only thing that really brings it down is the structure, which can cause some confusion in the complex web of events that unfolds.

If I had to give it a score (which I wasn't planning on doing) I would give it a solid 8/10. 

But I want to know what YOU think! Leave a comment or something below if you agree or disagree with something I've said, or just have something you might want to say.



Thursday, May 23, 2013

THE HANGOVER PART III - Review

The Hangover Part III

Comedy, 2013
1 hour, 40 minutes
Written by Craig Mazin and Todd Phillips
Directed by Todd Phillips

Starring
Zach Galifanakis
Bradley Cooper
Ed Helms
Ken Jeong
John Goodman





I'm just going to keep this short because I don't have a lot to say about this movie. Frankly, it just wasn't terribly funny. Like, I want to see a comedy, but it basically was just an hour and 40 minutes of tying up loose ends from the previous two movies. It felt like just one long "lets see where these characters are now!" kind of thing, which is kind of stupid. Too much Chow is a bad thing because he's just not funny anymore, but at least Alan had some funny bits. The trilogy itself wrapped up nicely, with the exception of having greatly overstayed its welcome after the first movie. Also there is no actual hangover, just John Goodman wanting some fucking money or whatever.
Overall, it's just not very funny and it's kind of on par with the second one, neither of which were very good. It should've been a one time thing with the first movie, which is actually funny and has some merit.
It just isn't as funny as it should've been.

4/10

Thursday, May 16, 2013

STAR TREK INTO DARKNESS - Review

Star Trek Into Darkness

Science Fiction, 2013
2 hours, 13 minutes
Written by Roberto Orci, Alex Kurtzman, and Damon Lindelof
Directed by JJ Abrams

Starring
Chris Pine
Zachary Quinto
Benedict Cumberbatch
Zoe Saldana
Karl Urban
John Cho
Alice Eve
Bruce Greenwood
Simon Pegg
Anton Yelchin
Peter Weller

"I have no idea what I'm supposed to do. I only know what I CAN do."

For the record, I consider 2009's Star Trek to be a science fiction masterpiece. I can't say that I have watched any of the several iterations of the show, but I fell in love with the reboot the instant that the credits rolled. It was like nothing I had ever seen. I've seen it several times, and it's consistently entertaining. Definitely a perfect 10.
So Into Darkness takes place at some point after the events of the first film. Kirk is still the captain of the Enterprise and everything is hunky dory... Until an attack on Star Fleet sends the Enterprise to track down a dangerous fugitive named John Harrison. And that's when things begin to get interesting... but I can't reveal anything else without spoiling stuff.
Star Trek Into Darkness is an incredibly worthy sequel. It's got space battles, shootouts, fist fights, explosions, and motherfucking space jetpacks. The action and visual effects are top notch. There are some great twists and turns. The writing is fantastic, despite being much less funny than the first film. It's a much more serious movie, but that's okay. Much like the first film, it has tons of fan service for longtime Trekkies, fan service that is so subtle that non-Trekkies won't even notice.
The biggest thing that this movie has is it's villain, played by none other than Sherlock's Benedict Cumberbatch. And jeez, is he AMAZING. Not only is his presence onscreen constantly overwhelming and intense, but he knows how to kick serious ass. Other than Cumberbatch, Chris Pine and Zachary Quinto (Kirk and Spock, respectively) both reprise their roles for this one, and their performances, Quinto's especially, have improved quite a bit.
Into Darkness is more emotionally satisfying than the first. Whereas Star Trek is all about loss, and vengeance, Into Darkness deals with the concepts of life, death, and, above everything else, sacrifice. The payoff of these sacrifices is actually pretty huge, and really drive the story into something wasn't expecting.
Into Darkness doesn't quite have the same spark of energy that the first film had, but this doesn't mean it's bad. Sure, I won't watch it over and over like I have the first one, but it's definitely something that I want to see again.

9.6/10

Friday, May 03, 2013

IRON MAN 3 - Review

Iron Man 3

2 hours, 10 minutes
Superhero, 2013
Written by Drew Pearce and Shane Black
Directed by Shane Black

Starring
Robert Downey Jr.
Gwyneth Paltrow
Don Cheadle
Ben Kingsley
Guy Pearce
Rebecca Hall
Jon Favreau

"So why can't I sleep?"


Looks like Marvel's first trilogy has come to a close. And damn, did it close on one explosive note. Tony Stark's third and final solo-act on the big screen is definitely not one to miss, but it still has it's fair share of issues. Let's dive in.
The opening scenes of the film are actually very emotional. Tony is dealing with some anxiety and PTSD from his time in The Avengers, and things are really coming to a head. His only real release is working on his Iron Man suits, which he has become obsessed with. He gains the ability to control his armor while he's outside of it, and can also call it towards him from a distance as seen in the trailer. The movie actually uses this ability quite well in the action scenes, making for some really interesting combat scenarios.
Anyway, the bad guy is the Mandarin, played by Ben Kingsley. Only problem is that (without giving too much away) Kingsley is seriously underused. What happens to him? I'm not saying a word, but you'll see what I mean. It's just a bit frustrating  Despite being underused, he definitely makes his screen time memorable. The other baddie (there are always two, aren't there?) is Guy Pearce, playing someone whose name I'm too lazy to look up because it's 3:16 in the AM and I just got back from a midnight screening, but ANYWAY he plays the other bad guy and he's actually not bad. It's not incredible or mind blowing, but he's still an interesting character. Only problem is that I still have no fucking idea what the hell his motivations are, but then again I'm tired.
Robert Downey Jr. gives it his all in his final outing, and I think this is definitely on par (acting-wise) with his screen time in The Avengers. While Iron Man 3 isn't as good as The Avengers, it's definitely better than Iron Man 2. Not as good as Iron Man 1,  but better than 2.
So what's wrong with this movie? For one thing, Tony's PTSD plays a prominent role in the first two acts of the film, then just disappears behind a wall of action and explosions. Maybe it's because I sympathize with his panic attacks, but I wanted to see more emotionally distressed Tony. Even the resolution to the trilogy is a bit muddled with "and this is what happend at the end" sort of explanation via voiceover by Tony. And it's kind of annoying, because they just wrap shit up all at once. Like, crucial shit and it's all at once. Also, Tony's entire motivation for seeking out the Mandarin, while it could have been emotional as fuck, just wasn't. I won't say what happens, but he very quickly gets angry and goes off and does something stupid. Like, okay... I get that he's angry, but where his anger comes from just doesn't have that much of an emotional impact as it should have had.
One big thing that I didn't expect from 3 was it's humor. It's unquestionably the funniest Marvel movie to date. Even better, it's not entirely from Tony's sarcasm and cynicism. The other characters have some great bits of funny dialoge and they get into sometimes funny shit. Some of the humor is slightly misplaced, suddenly cracking a great joke in a serious moment can feel a bit jarring in tone, but it's still a funny flick.
Overall, I'd definitely put this movie above the second one, but below the first. Oh, and it doesn't come anywhere NEAR The Avengers. It's got humor, fantastic action, great performances, some misplaced plot points, lack of emotional motivation for Tony to seek out the Mandarin, and not enough Ben Kingsley, but it's still a good (not great) ending to a mostly solid trilogy.
I honestly didn't expect this to live up to the first one (and it doesn't), but it's still a solid ending.

8/10